<?xml version="1.0" encoding="UTF-8"?><rss version="2.0"
	xmlns:content="http://purl.org/rss/1.0/modules/content/"
	xmlns:wfw="http://wellformedweb.org/CommentAPI/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:atom="http://www.w3.org/2005/Atom"
	xmlns:sy="http://purl.org/rss/1.0/modules/syndication/"
	xmlns:slash="http://purl.org/rss/1.0/modules/slash/"
	>

<channel>
	<title>Editorial &#8211; AI Video Week</title>
	<atom:link href="https://aivideoweek.com/author/admin/feed/" rel="self" type="application/rss+xml" />
	<link>https://aivideoweek.com</link>
	<description>Where AI Video Becomes Business</description>
	<lastBuildDate>Tue, 28 Apr 2026 11:28:06 +0000</lastBuildDate>
	<language>en-GB</language>
	<sy:updatePeriod>
	hourly	</sy:updatePeriod>
	<sy:updateFrequency>
	1	</sy:updateFrequency>
	<generator>https://wordpress.org/?v=6.9.4</generator>

<image>
	<url>https://aivideoweek.com/wp-content/uploads/2026/03/cropped-512x512-1-32x32.png</url>
	<title>Editorial &#8211; AI Video Week</title>
	<link>https://aivideoweek.com</link>
	<width>32</width>
	<height>32</height>
</image> 
	<item>
		<title>Kling Native 4K: One Less Line Item on Your Next Quote</title>
		<link>https://aivideoweek.com/kling-native-4k-one-less-line-item-on-your-next-quote/</link>
		
		<dc:creator><![CDATA[Editorial]]></dc:creator>
		<pubDate>Tue, 28 Apr 2026 11:28:01 +0000</pubDate>
				<category><![CDATA[Tools]]></category>
		<guid isPermaLink="false">https://aivideoweek.com/?p=1962</guid>

					<description><![CDATA[Kling has rolled out native 4K generation in its 3.0 series, the first foundation video model to output 3840×2160 directly rather than upscaling from 720p or 1080p. The distinction sounds technical, and it is, but it&#8217;s the kind of technical change that quietly redraws what working creators can quote for, what agencies can deliver without [&#8230;]]]></description>
										<content:encoded><![CDATA[<p>This content is for members only. Visit the site and log in/register to read.</p>
]]></content:encoded>
					
		
		
			</item>
		<item>
		<title>You&#8217;re Already Using Real Faces in AI. Do You Have the Rights?</title>
		<link>https://aivideoweek.com/youre-already-using-real-faces-in-ai-do-you-have-the-rights/</link>
		
		<dc:creator><![CDATA[Editorial]]></dc:creator>
		<pubDate>Tue, 14 Apr 2026 15:44:58 +0000</pubDate>
				<category><![CDATA[Featured]]></category>
		<category><![CDATA[Intellectual Property]]></category>
		<guid isPermaLink="false">https://aivideoweek.com/?p=1913</guid>

					<description><![CDATA[As Seedance gets sued and Sora shuts down, a new generation of platforms is trying to answer the question the industry has been avoiding: if AI can copy anyone's face, who's in charge?

The industry has spent the past two years getting remarkably good at generating human faces. It hasn't spent nearly enough time working out who those faces belong to.

The consequences of that gap arrived in quick succession earlier this year. ByteDance launched Seedance 2.0 in February. Within days, users were generating photorealistic clips of Tom Cruise fighting...]]></description>
										<content:encoded><![CDATA[<p>This content is for members only. Visit the site and log in/register to read.</p>
]]></content:encoded>
					
		
		
			</item>
		<item>
		<title>How Promise Rebuilt 1970s Crime Scenes for CBS Using AI and a 16k LED Wall</title>
		<link>https://aivideoweek.com/how-promise-rebuilt-1970s-crime-scenes-for-cbs-using-ai-and-a-16k-led-wall/</link>
		
		<dc:creator><![CDATA[Editorial]]></dc:creator>
		<pubDate>Tue, 07 Apr 2026 16:10:53 +0000</pubDate>
				<category><![CDATA[Creators]]></category>
		<guid isPermaLink="false">https://aivideoweek.com/?p=1883</guid>

					<description><![CDATA[Promise Advanced Imagination used generative AI and Gaussian splatting to reconstruct ten crime scene environments that no longer exist for Harlan Coben&#8217;s Final Twist, currently airing on CBS and streaming on Paramount+. There&#8217;s a particular production problem that no amount of budget can solve in the traditional way. The location doesn&#8217;t exist anymore. The building [&#8230;]]]></description>
										<content:encoded><![CDATA[<p>This content is for members only. Visit the site and log in/register to read.</p>
]]></content:encoded>
					
		
		
			</item>
		<item>
		<title>AI Movie Awards: Mallorca, 24-25 April</title>
		<link>https://aivideoweek.com/ai-movie-awards-mallorca-24-25-april/</link>
		
		<dc:creator><![CDATA[Editorial]]></dc:creator>
		<pubDate>Wed, 01 Apr 2026 21:34:15 +0000</pubDate>
				<category><![CDATA[Diary]]></category>
		<guid isPermaLink="false">https://aivideoweek.com/?p=1778</guid>

					<description><![CDATA[The AI Movie Awards (AIMA) holds its first international edition this month, bringing together filmmakers, producers and technology companies for two days of screenings, panels, workshops and a prize-giving ceremony. The festival takes place at the Meliá Calviá Beach resort and is backed by the Ayuntamiento de Calvià, the local municipal authority, which is positioning [&#8230;]]]></description>
										<content:encoded><![CDATA[
<p>The AI Movie Awards (AIMA) holds its first international edition this month, bringing together filmmakers, producers and technology companies for two days of screenings, panels, workshops and a prize-giving ceremony. </p>



<p>The festival takes place at the Meliá Calviá Beach resort and is backed by the Ayuntamiento de Calvià, the local municipal authority, which is positioning Mallorca as a base for AI filmmaking in Europe. The jury includes Hollywood producer Tommy Harper among its members. Full jury lineup and submission information at aimovieawards.org. Partnership and hospitality packages are available.</p>



<p><a href="https://www.aimovieawards.org">More Information Here</a></p>



<p></p>



<figure class="wp-block-image size-large"><img fetchpriority="high" decoding="async" width="1024" height="572" src="https://aivideoweek.com/wp-content/uploads/2026/03/Beach_in_Malaga_202603311358-2-1024x572.jpeg" alt="" class="wp-image-1783" srcset="https://aivideoweek.com/wp-content/uploads/2026/03/Beach_in_Malaga_202603311358-2-1024x572.jpeg 1024w, https://aivideoweek.com/wp-content/uploads/2026/03/Beach_in_Malaga_202603311358-2-300x167.jpeg 300w, https://aivideoweek.com/wp-content/uploads/2026/03/Beach_in_Malaga_202603311358-2-768x429.jpeg 768w, https://aivideoweek.com/wp-content/uploads/2026/03/Beach_in_Malaga_202603311358-2-753x420.jpeg 753w, https://aivideoweek.com/wp-content/uploads/2026/03/Beach_in_Malaga_202603311358-2-150x84.jpeg 150w, https://aivideoweek.com/wp-content/uploads/2026/03/Beach_in_Malaga_202603311358-2-696x388.jpeg 696w, https://aivideoweek.com/wp-content/uploads/2026/03/Beach_in_Malaga_202603311358-2-1068x596.jpeg 1068w, https://aivideoweek.com/wp-content/uploads/2026/03/Beach_in_Malaga_202603311358-2.jpeg 1376w" sizes="(max-width: 1024px) 100vw, 1024px" /></figure>
]]></content:encoded>
					
		
		
			</item>
		<item>
		<title>AI on the Lot: Culver City, 27-28 May</title>
		<link>https://aivideoweek.com/ai-on-the-lot-culver-city-27-28-may/</link>
		
		<dc:creator><![CDATA[Editorial]]></dc:creator>
		<pubDate>Wed, 01 Apr 2026 21:33:22 +0000</pubDate>
				<category><![CDATA[Diary]]></category>
		<guid isPermaLink="false">https://aivideoweek.com/?p=1788</guid>

					<description><![CDATA[Now in its fourth year, AI on the Lot is the largest AI media conference in the US, bringing together filmmakers, media executives, investors and AI tool companies for two days of panels, workshops and short film screenings. Speakers this year include the founders of Luma AI, Hedra and Fable, alongside Variety&#8217;s co-editor-in-chief and investors [&#8230;]]]></description>
										<content:encoded><![CDATA[
<p>Now in its fourth year, AI on the Lot is the largest AI media conference in the US, bringing together filmmakers, media executives, investors and AI tool companies for two days of panels, workshops and short film screenings. Speakers this year include the founders of Luma AI, Hedra and Fable, alongside Variety&#8217;s co-editor-in-chief and investors from a16z.</p>



<p><a href="https://www.aionthelot.com" target="_blank" rel="noreferrer noopener">More Information Here</a></p>



<p></p>
]]></content:encoded>
					
		
		
			</item>
		<item>
		<title>GenAI Footage at 4K. Broadcast-Ready. Topaz Just Made It Easier.</title>
		<link>https://aivideoweek.com/genai-footage-at-4k-broadcast-ready-topaz-just-made-it-easier/</link>
		
		<dc:creator><![CDATA[Editorial]]></dc:creator>
		<pubDate>Tue, 31 Mar 2026 18:36:30 +0000</pubDate>
				<category><![CDATA[Tools]]></category>
		<category><![CDATA[Topaz]]></category>
		<category><![CDATA[Upscaling]]></category>
		<guid isPermaLink="false">https://aivideoweek.com/?p=1811</guid>

					<description><![CDATA[Topaz Labs has released its most substantial product update in some time, and for producers working with AI video, the timing is useful. The Precision Update adds four new models and nine improvements across the Topaz suite, with two additions aimed directly at the gap that matters most in professional AI video work: the distance [&#8230;]]]></description>
										<content:encoded><![CDATA[<p>This content is for members only. Visit the site and log in/register to read.</p>
]]></content:encoded>
					
		
		
			</item>
		<item>
		<title>Cannes Lions: Cannes, 22-26 June</title>
		<link>https://aivideoweek.com/cannes-lions-cannes-22-26-june/</link>
		
		<dc:creator><![CDATA[Editorial]]></dc:creator>
		<pubDate>Tue, 31 Mar 2026 13:59:45 +0000</pubDate>
				<category><![CDATA[Diary]]></category>
		<guid isPermaLink="false">https://aivideoweek.com/?p=1791</guid>

					<description><![CDATA[The world&#8217;s biggest advertising festival introduces dedicated AI Craft subcategories this year, recognising work where human creativity and generative AI combine. All entries using AI video or synthetic media must now disclose usage and comply with a new code of conduct. The most significant moment yet for AI-generated advertising on the global stage. More Information [&#8230;]]]></description>
										<content:encoded><![CDATA[
<p>The world&#8217;s biggest advertising festival introduces dedicated AI Craft subcategories this year, recognising work where human creativity and generative AI combine. All entries using AI video or synthetic media must now disclose usage and comply with a new code of conduct. The most significant moment yet for AI-generated advertising on the global stage.</p>



<p><a href="https://www.canneslions.com" target="_blank" rel="noreferrer noopener">More Information Here</a></p>
]]></content:encoded>
					
		
		
			</item>
		<item>
		<title>OpenAI Kills Sora, DeepBrain Launches Talking Avatars, and OpenAI&#8217;s Hiring Spree Takes on New Significance</title>
		<link>https://aivideoweek.com/openai-kills-sora-deepbrain-launches-talking-avatars-and-openais-hiring-spree-takes-on-new-significance/</link>
		
		<dc:creator><![CDATA[Editorial]]></dc:creator>
		<pubDate>Tue, 24 Mar 2026 19:40:24 +0000</pubDate>
				<category><![CDATA[News]]></category>
		<category><![CDATA[Featured Briefing]]></category>
		<guid isPermaLink="false">https://aivideoweek.com/?p=1695</guid>

					<description><![CDATA[Sora Is Dead. Export Your Work Now. OpenAI announced tonight that it is shutting down the Sora app and exiting AI video generation entirely. ChatGPT will also stop generating video from text prompts. The Disney deal, which included licensing more than 200 characters and a planned $1 billion investment, is dead with it. OpenAI says [&#8230;]]]></description>
										<content:encoded><![CDATA[
<p><strong>Sora Is Dead. Export Your Work Now.</strong></p>



<p>OpenAI announced tonight that it is shutting down the Sora app and exiting AI video generation entirely. ChatGPT will also stop generating video from text prompts. The Disney deal, which included licensing more than 200 characters and a planned $1 billion investment, is dead with it. OpenAI says the Sora research team will refocus on robotics, but the real driver is cost: the company is trimming expensive consumer products ahead of an expected IPO. For anyone who built workflows around Sora, the priority is immediate. Get your videos and assets off the platform before shutdown timelines are confirmed. For the full story, see our breaking News coverage.</p>



<p><strong>DeepBrain AI Moves From Static Avatars to Conversational Video Agents</strong></p>



<p>DeepBrain AI, the Palo Alto-based avatar platform, has launched what it calls AI Video Agents for enterprise customers. The shift is from one-way video, where an AI avatar delivers a scripted message, to two-way interaction, where the avatar listens, responds and adapts in real time. The company says the technology is already deployed with SAP, Shinhan Bank and Samsung Securities across customer service, internal training and knowledge management. For anyone tracking where AI video meets actual business revenue, this is worth noting. The use case isn&#8217;t content creation. It&#8217;s operational: replacing help desks, onboarding sessions and customer support workflows with interactive video avatars that scale without headcount.</p>



<p><strong>OpenAI Plans to Nearly Double Its Workforce by Year End</strong></p>



<p>The Financial Times reports that OpenAI intends to expand from roughly 4,500 employees to around 8,000 by the end of 2026, hiring across product, engineering, research, sales and what it describes as technical ambassadorship. In light of tonight&#8217;s Sora shutdown, this hiring spree looks different. The growth in sales and enterprise functions now points squarely at text, code and business tools, not creative products. According to Ramp&#8217;s AI Index, businesses are now 70% more likely to choose Anthropic over OpenAI when purchasing AI tools for the first time. OpenAI&#8217;s response is to put people on the ground selling enterprise contracts for the products it&#8217;s keeping, not the ones it just killed. The message to the AI video industry is hard to miss: OpenAI has decided that video generation isn&#8217;t worth the compute.</p>
]]></content:encoded>
					
		
		
			</item>
		<item>
		<title>ByteDance Quietly Rolls Out Seedance 2.0 Through CapCut in Select Markets</title>
		<link>https://aivideoweek.com/bytedance-quietly-rolls-out-seedance-2-0-through-capcut-in-select-markets/</link>
		
		<dc:creator><![CDATA[Editorial]]></dc:creator>
		<pubDate>Tue, 24 Mar 2026 17:20:29 +0000</pubDate>
				<category><![CDATA[News]]></category>
		<guid isPermaLink="false">https://aivideoweek.com/?p=1672</guid>

					<description><![CDATA[ByteDance has begun integrating Seedance 2.0 into CapCut, making the AI video generation model available to paid users in Indonesia, the Philippines, Thailand, Vietnam, Malaysia, Brazil and Mexico. The company announced the phased rollout on 23 March. The move follows ByteDance&#8217;s decision to suspend a broader global launch of Seedance 2.0 earlier this month after [&#8230;]]]></description>
										<content:encoded><![CDATA[
<p><em>ByteDance has begun integrating Seedance 2.0 into CapCut, making the AI video generation model available to paid users in Indonesia, the Philippines, Thailand, Vietnam, Malaysia, Brazil and Mexico. The company announced the phased rollout on 23 March.</em></p>



<p>The move follows ByteDance&#8217;s decision to suspend a broader global launch of Seedance 2.0 earlier this month after copyright pressure from Hollywood studios and a bipartisan intervention from US senators. Rather than wait for that situation to resolve, ByteDance appears to be taking a different route: embedding the model inside an existing app, in markets where US IP enforcement carries less immediate weight.</p>



<p>The CapCut integration puts Seedance 2.0 directly into the editing timeline. Users can access the model through AI Lab, AI Generator, and a new Video Studio canvas. Features include text-to-video generation for clips up to 15 seconds, multi-shot storytelling, built-in dialogue and lipsync, spatial sound, and reference support for maintaining character and style consistency across scenes. Notably, the initial rollout restricts the ability to generate videos from images or videos containing real faces, a direct response to the controversy that followed the model&#8217;s February launch in China, when viral clips featuring unauthorised celebrity likenesses triggered cease-and-desist letters from Disney and the Motion Picture Association.</p>



<p>For creators and editors already working in CapCut, particularly in the supported regions, this is the first opportunity to test Seedance 2.0 within a production workflow rather than through standalone demos. The practical advantage is workflow integration: generating a clip and editing it happen in the same application, which removes the export-import friction that slows down most AI video tools.</p>



<p>The strategic significance is harder to miss. CapCut already has hundreds of millions of users. Embedding a generative video model inside that user base, even in a limited rollout, creates adoption at a scale that standalone AI video tools can&#8217;t match. If the regional launch goes smoothly, ByteDance will have a strong case for expanding availability, potentially before the US copyright questions are resolved.</p>



<p>For UK-based creators and production teams, the wait continues. None of the initial rollout markets are in Europe or North America, and ByteDance has given no timeline for expansion beyond the seven launch territories. Given the unresolved copyright disputes with Hollywood studios and ongoing US Congressional scrutiny, Western availability is likely to depend on how smoothly the current rollout goes and whether ByteDance can demonstrate that its content safeguards hold up under real-world use. For now, the strongest AI video generation model on the market remains out of reach for most of this publication&#8217;s readers.</p>
]]></content:encoded>
					
		
		
			</item>
		<item>
		<title>Mirage Wants to Replace Your Entire Short-Form Production Workflow. Can It?</title>
		<link>https://aivideoweek.com/mirage-wants-to-replace-your-entire-short-form-production-workflow-can-it/</link>
		
		<dc:creator><![CDATA[Editorial]]></dc:creator>
		<pubDate>Tue, 24 Mar 2026 16:51:29 +0000</pubDate>
				<category><![CDATA[Tools]]></category>
		<guid isPermaLink="false">https://aivideoweek.com/?p=1666</guid>

					<description><![CDATA[Mirage is the company behind Captions, the AI video editing app that&#8217;s been quietly building a user base among short-form creators since 2021. Following a rebrand last year and a fresh $75 million funding round announced this week, the company is making a bigger claim: that its platform can handle the full journey from script [&#8230;]]]></description>
										<content:encoded><![CDATA[<p>This content is for members only. Visit the site and log in/register to read.</p>
]]></content:encoded>
					
		
		
			</item>
	</channel>
</rss>
