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	<title>Featured &#8211; AI Video Week</title>
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	<description>Where AI Video Becomes Business</description>
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	<title>Featured &#8211; AI Video Week</title>
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		<title>Seedance 2.0 is the model everyone wants. Six prices, which one is worth paying?</title>
		<link>https://aivideoweek.com/seedance-2-0-is-the-model-everyone-wants-six-prices-which-one-is-worth-paying/</link>
		
		<dc:creator><![CDATA[Features]]></dc:creator>
		<pubDate>Thu, 16 Apr 2026 20:13:22 +0000</pubDate>
				<category><![CDATA[Featured]]></category>
		<guid isPermaLink="false">https://aivideoweek.com/?p=1931</guid>

					<description><![CDATA[Seedance 2.0, ByteDance&#8217;s second-generation video model, has spent the last two months being quietly agreed upon as the best AI video generator currently available. That consensus sits across a remarkably wide spread of opinion, from online creator communities to agency producers to the analyst blogs that have sprung up around the model&#8217;s rollout. Motion coherence, [&#8230;]]]></description>
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		<title>You&#8217;re Already Using Real Faces in AI. Do You Have the Rights?</title>
		<link>https://aivideoweek.com/youre-already-using-real-faces-in-ai-do-you-have-the-rights/</link>
		
		<dc:creator><![CDATA[Editorial]]></dc:creator>
		<pubDate>Tue, 14 Apr 2026 15:44:58 +0000</pubDate>
				<category><![CDATA[Featured]]></category>
		<category><![CDATA[Intellectual Property]]></category>
		<guid isPermaLink="false">https://aivideoweek.com/?p=1913</guid>

					<description><![CDATA[As Seedance gets sued and Sora shuts down, a new generation of platforms is trying to answer the question the industry has been avoiding: if AI can copy anyone's face, who's in charge?

The industry has spent the past two years getting remarkably good at generating human faces. It hasn't spent nearly enough time working out who those faces belong to.

The consequences of that gap arrived in quick succession earlier this year. ByteDance launched Seedance 2.0 in February. Within days, users were generating photorealistic clips of Tom Cruise fighting...]]></description>
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		<item>
		<title>Seedance Is Free in CapCut. Do You Still Need That Aggregator Subscription?</title>
		<link>https://aivideoweek.com/seedance-is-free-in-capcut-do-you-still-need-that-aggregator-subscription/</link>
		
		<dc:creator><![CDATA[Features]]></dc:creator>
		<pubDate>Tue, 07 Apr 2026 10:26:36 +0000</pubDate>
				<category><![CDATA[Featured]]></category>
		<guid isPermaLink="false">https://aivideoweek.com/?p=1867</guid>

					<description><![CDATA[Higgsfield, OpenArt, Leonardo, FreePik. If you&#8217;re paying any of these platforms for access to AI video models you could reach directly, it&#8217;s worth asking what exactly your subscription is buying. Because ByteDance just put Seedance 2.0 inside CapCut for free, and the answer is getting harder to find. Cast your mind back to 2024, when [&#8230;]]]></description>
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			</item>
		<item>
		<title>Ben Affleck Was Building an AI Company While Hollywood Argued About AI. Netflix Just Bought It.</title>
		<link>https://aivideoweek.com/ben-affleck-was-building-an-ai-company-while-hollywood-argued-about-ai-netflix-just-bought-it/</link>
		
		<dc:creator><![CDATA[Features]]></dc:creator>
		<pubDate>Tue, 31 Mar 2026 19:16:59 +0000</pubDate>
				<category><![CDATA[Featured]]></category>
		<guid isPermaLink="false">https://aivideoweek.com/?p=1818</guid>

					<description><![CDATA[Ben Affleck has had two positions on artificial intelligence. The first was the public one. Appearing on the Joe Rogan podcast in 2023, he said he didn&#8217;t believe AI could write anything meaningful, or produce films of any real substance. It was a view widely shared in Hollywood at the time, and consistent with the [&#8230;]]]></description>
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			</item>
		<item>
		<title>How Do You Get on the Roster?</title>
		<link>https://aivideoweek.com/how-do-you-get-on-the-roster/</link>
		
		<dc:creator><![CDATA[Features]]></dc:creator>
		<pubDate>Wed, 25 Mar 2026 18:16:41 +0000</pubDate>
				<category><![CDATA[Featured]]></category>
		<guid isPermaLink="false">https://aivideoweek.com/?p=1741</guid>

					<description><![CDATA[Fiverr has launched a curated hub of AI video directors available for brand commissions. The roster is small, the client lists are real, and the message to every creator watching is unmistakable: this market is professionalising. The question is what it takes to be part of it. On Sunday, Fiverr erected a 30-foot-tall, 230-foot-wide hillside [&#8230;]]]></description>
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			</item>
		<item>
		<title>Are You Still Building Video Ads From Scratch?</title>
		<link>https://aivideoweek.com/are-you-still-building-video-ads-from-scratch/</link>
		
		<dc:creator><![CDATA[Features]]></dc:creator>
		<pubDate>Tue, 24 Mar 2026 15:25:01 +0000</pubDate>
				<category><![CDATA[Featured]]></category>
		<guid isPermaLink="false">https://aivideoweek.com/?p=1655</guid>

					<description><![CDATA[Mirage, the company formerly known as Captions, has raised $75 million in growth financing from General Catalyst&#8217;s Customer Value Fund. The round isn&#8217;t remarkable for its size. It&#8217;s remarkable for what it tells you about where the money thinks AI video editing is actually heading. Mirage started life as a captioning app for creators. It [&#8230;]]]></description>
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			</item>
		<item>
		<title>You&#8217;ve Been Waiting for This. Is It Ready?</title>
		<link>https://aivideoweek.com/youve-been-waiting-for-this-is-it-ready/</link>
		
		<dc:creator><![CDATA[Features]]></dc:creator>
		<pubDate>Sun, 22 Mar 2026 17:00:00 +0000</pubDate>
				<category><![CDATA[Featured]]></category>
		<guid isPermaLink="false">https://aivideoweek.com/?p=1586</guid>

					<description><![CDATA[Persistent 3D worlds may be the single biggest missing piece in AI video production. OpenArt Worlds is the first consumer tool to deliver one. Here&#8217;s what it changes, what it doesn&#8217;t, and why you should care even if you&#8217;re not ready to use it yet. If you&#8217;ve spent any time making AI video, you already [&#8230;]]]></description>
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		<item>
		<title>Can You Make Money in Vertical Drama? It Depends Who You Are.</title>
		<link>https://aivideoweek.com/can-you-make-money-in-vertical-drama-it-depends-who-you-are/</link>
		
		<dc:creator><![CDATA[Features]]></dc:creator>
		<pubDate>Wed, 18 Mar 2026 14:24:32 +0000</pubDate>
				<category><![CDATA[Featured]]></category>
		<category><![CDATA[Distribution]]></category>
		<category><![CDATA[Production Economics]]></category>
		<category><![CDATA[Vertical Drama]]></category>
		<guid isPermaLink="false">https://aivideoweek.com/?p=1229</guid>

					<description><![CDATA[Vertical micro-drama is a $7 billion industry in China and a fast-growing one everywhere else. It also has a 90 per cent producer loss rate, an addiction-loop monetisation model, and a content library largely indistinguishable from one title to the next. Hollywood has decided the opportunity outweighs the problems. It probably does. But what it&#8217;s [&#8230;]]]></description>
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			</item>
		<item>
		<title>How Much Can You Earn With No Crew and a $500 Tool Budget?</title>
		<link>https://aivideoweek.com/how-much-can-you-earn-with-no-crew-and-a-500-tool-budget/</link>
		
		<dc:creator><![CDATA[Editorial]]></dc:creator>
		<pubDate>Wed, 18 Mar 2026 13:50:42 +0000</pubDate>
				<category><![CDATA[Featured]]></category>
		<guid isPermaLink="false">https://aivideoweek.com/?p=1443</guid>

					<description><![CDATA[Something has shifted in the economics of commercial video. A growing cohort of creators claim to be running end-to-end production as solo operators or teams of two or three, replacing what would previously have been a crew of five to fifteen. They&#8217;re not posting showreels on social media for attention. They&#8217;re delivering paid client work [&#8230;]]]></description>
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			</item>
		<item>
		<title>Will Television Ever Actually Make the Jump?</title>
		<link>https://aivideoweek.com/will-television-ever-actually-make-the-jump/</link>
		
		<dc:creator><![CDATA[Features]]></dc:creator>
		<pubDate>Fri, 13 Mar 2026 20:25:26 +0000</pubDate>
				<category><![CDATA[Featured]]></category>
		<category><![CDATA[Animation]]></category>
		<category><![CDATA[Distribution]]></category>
		<category><![CDATA[Production Economics]]></category>
		<category><![CDATA[Television]]></category>
		<guid isPermaLink="false">https://aivideoweek.com/?p=1274</guid>

					<description><![CDATA[A $28,000 reality show just proved that fully synthetic formats work. Legacy broadcasters watched politely from a safe distance. The question now is which television genres AI can realistically reach, and which it can&#8217;t. The most revealing thing about Non Player Combat isn&#8217;t that it exists. It&#8217;s where it exists. When AiMation Studios launched what [&#8230;]]]></description>
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