Editorial

One Ad, One Hundred Thousand Versions: The Formats That Only Exist Because AI Makes Them Possible

Personalised video at individual scale, behaviour-triggered dynamic content, and shoppable AI product visualisation aren't cheaper versions of old formats. They're new ones entirely, enabled by production economics that didn't exist 18 months ago. There's an important distinction between "AI makes...

Is Character Consistency Actually Solved? What You Can and Can’t Do in 2026

Multiple platforms can now maintain character identity across multi-shot sequences with genuine reliability. The remaining limits are real, but the ceiling has risen fast enough that branded shorts and independent narrative work are being produced at commercial scale. The technical...

The Death of the Static Deck: How AI Previs Is Moving Creative Decisions Upstream

Agencies are replacing traditional storyboard decks with AI-generated moving previsualisations, shifting key creative decisions out of post-production and into the room where the brief is written. There's a moment in every traditional agency workflow where a concept stops being words...

Who’s Actually Teaching AI Video? Inside the Training Market That’s Outrunning the Tools

A growing ecosystem of courses, academies, and certification programmes promises to equip video professionals for an AI-augmented industry. But the gap between what’s being taught and what employers actually need is wider than the marketing suggests. If you’ve spent any...

Who Gets Hired When the Tools Do the Work?

The split between multi-model aggregators and all-in-one studios is creating two distinct hiring pipelines. Agencies and studios are recruiting for roles that didn't exist eighteen months ago, and the job descriptions reveal where the industry thinks value sits. If you...

What Does AI Video Look Like When You Can Switch Engines Mid-Shot?

When creators can switch generation engines mid-project without switching platforms, the creative decisions change too. Aggregator workflows aren't just cheaper. They're producing a different kind of output. There's a production logic to aggregator platforms that goes beyond cost savings, and...

Can Kling 3.0 Kill the Aggregator Stack?

Kuaishou's latest release bundles native audio, multi-shot storyboarding, character consistency, and in-video editing into a single platform. With 30,000 enterprise clients and a roadmap aimed at continuous long-form generation, Kling 3.0 is less a model upgrade than a declaration...

Who’s Losing Out as the Aggregators Take Over?

As direct-tool subscriptions stack up and creators burn through credits on failed generations, multi-model aggregators are capturing market share with a simpler proposition: one subscription, one interface, the best model for each shot. The economics increasingly favour the middleman. The...

The 9:16 Jobs Boom: Vertical Micro-Drama Is Opening a New Career Track in Production

A new employment category has opened up inside a format most industry training programmes don't yet teach. The skills in demand are specific, the pay rates are variable, and the volume of work is unlike anything else in scripted...

DramaBox Has Been Seeking $100 Million Since January. It Hasn’t Said It’s Closed.

The platform topped the global vertical short drama chart in Q1 2025 and has Disney backing. Two months after its fundraise became public, there's no confirmed close. In a market moving this fast, that's worth noting. The Business Insider story...
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Can Kling 3.0 Kill the Aggregator Stack?

Kuaishou's latest release bundles native audio, multi-shot storyboarding, character consistency, and in-video editing into a single platform. With 30,000...